Monday, 9 December 2019

Jozi: The City Under the City

© Pierre Blignaut

“So, if a city has a personality, maybe it also has a soul. Maybe it dreams.”
― Neil Gaiman, Worlds' End

Eish, Jozi . . . Ja, neh . . . Jozi, that great city where dreams and their dreamers are swallowed up whole more often than not. To survive in Jozi you don’t necessarily need the right tools, you need the creativity to make the wrong tools work for you. Like many major cities around the world, Jozi is made up of layers. The top layer is the rough and tough face of its everyday business, that mainly being people going about their business at a furious pace. The first lesson my mother taught me about this city is to keep moving and not to speak to anyone. On its surface, this warning always seemed like it was about avoiding being a victim of crime but it also served as a warning about something stranger. The warning sometimes included the word amasilamusi. A word that both intrigues and frightens me to this day. A word that made quite the impact on Twitter last week.


The great city of Jozi has a mystical layer that appears on the surface every now and then but that usually exists under everything else or on the fringes. In Neil Gaiman’s novel, Neverwhere another London exists below the hustle and bustle of the familiar one on the surface, a mysterious and magical London Below. Inspector Tyador Borlú finds himself trying to solve a crime that spills over into a city that occupies the same space as his city in China Miéville’s novel, The City and the City. A city most can see from the corner of their eye but avoid focusing on. In Jozi, too, below its bustle and grime, there exists another Jozi. One most of us have heard about but tend to look at only from the corner of our eye, if ever at all. The citizens of Jozi learn to navigate the city around its strange elements.


© Austin Malema
One of these strange elements made an appearance on Twitter last week with Noluthando Zuma’s Tweet asking if people know about the taxi from Fourways to Bree that’s driven by a cat. Her Tweet blew up as others came forward with their own stories of this taxi driven by a cat looking to make ends meet. More people came forward with other equally strange experiences or stories from sources like cleaning ladies at work. In my own experience, cleaning ladies at work are an excellent source of all things weird and to do with witchcraft. The story with the cat makes for great memes but what stands out is how many people seem to have encountered this cat driving his route between Fourways and Bree. We might not be sure if this cat plays Maskande or Amapiano on his drive but we all do believe the story on some level. The concept of isalamuzi or amasilamusi came up, with people reporting having had their heartbeats stolen by a driver that made sounds like a baby or purred like a cat.


My mother’s warning about Jozi was also a warning about amasilamusi, whose powers seem to change according to whoever tells the story but there are overlapping elements in all the stories. One of my mother’s experiences with these people, creatures or whatever they are, happened in the late ‘90s. She was coming out from the now infamous Smal Street Mall when she was stopped by an old lady asking for directions. My mother made the rookie mistake of stopping the hear the lady out and fell under some spell. She says she lost control of her wits and found herself going to an ATM with this lady and withdrawing her daily limit. The whole thing was like being in a dream. Next thing she was in an alley with this woman and some men carrying a suitcase filled with money. The old woman told my mom to hand over the money to the men and take the suitcase from them. The idea was that the two of them split the money in the suitcase. My mother obliged and made the exchange. And just like a dream, the next thing she remembers is being in a taxi from Faraday to Turffontein. The suitcase was now a Checkers plastic bag in her lap filled with cut-up newspaper. She told the people in the taxi what had happened to her and, as if it was the most normal thing in the world, they told her it was the work of amasilamusi.

© Thandile Zwelibanzi
Apparently, some amasilamusi are so powerful that they can steal all the money on your person by merely touching you and when you get home all you have is worthless paper where the money was. This only happens if you talk to them, though. That seems to be their one binding rule, that their powers can’t affect you unless you speak to them. Most of us have a blueprint to navigate this other Jozi because our parents, aunts, uncles and grandparents told us these stories but it becomes buried in our subconscious at some point, operating in the background. Noluthando Zuma’s Tweet about that industrious cat has taken the world of amasilamusi and introduced it to Twitter. The result has been largely hilarious and a bit frightening but my thinking here, eyam’ iworry is whether amasilamusi are ready for Twitter? Can their world still exist in the shadows with Black Twitter’s finest on the lookout?

Wednesday, 23 October 2019

Todd Phillips's Joker doesn't reach the lofty heights it's reaching for

My original article here.
23 October 2019
I remember first hearing about Joker around this time last year and not giving it much attention - until I started seeing the marketing footage over the next few months.
A lot of the visual style made me think of Lee Bermejo’s illustrations in Brian Azzarello’s brilliant 2008 graphic novel, Joker. The end result does bear some resemblance but you can see that there isn’t a direct inspiration or anything. 

Todd Phillips's Joker doesn't reach the lofty heights it's reaching for

Scorsese in the Batman universe 


Some of Alan Moore’s The Killing Joke is in there somewhere. And I can even argue for Grant Morrison’s Arkham Asylum inspiring a lot of the film’s take on mental health in the modern age. 

I would say that writer/director Todd Phillips (War Dogs) went with his own take on this iconic character, though. And the result is a character study that leaves the viewer feeling unsettled.

Todd Phillips's Joker doesn't reach the lofty heights it's reaching for

Phillips and his team draw heavy inspiration from Martin Scorsese’s films, Taxi Driver (1976) and The King of Comedy (1982). Quite amusing. Scorsese views all these comic book movies from the last decade as not being “real” cinema – much in the same way that comic books are often not viewed as “real” literature.

The comic book film aspect of Joker sits in the back row of what this film is about, even more so than in Christopher Nolan’s gritty and “realistic” Batman trilogy. So, what I’m saying is that Joker is a Scorsese-esque film that happens to play out in the Batman universe.

Dark and twisted 


The film has a lot going for it. The cinematography is gorgeous! This 1980s Gotham City is dark, gritty, straight up dirty and the atmosphere is oppressive. The city itself makes you feel depressed, and it’s the sort of place where people’s psyches are broken. 

Todd Phillips's Joker doesn't reach the lofty heights it's reaching for

Joaquin Phoenix (Irrational Man) portrays the mentally-troubled comedian Arthur Fleck, who lives with his ill and equally mentally-troubled mother. 

He’s bullied at work and in public and just waiting to have a nervous breakdown. Phoenix’s performance is breathtaking but also feels forced at times.

The supporting cast consists of Robert de Niro as Murray Franklin, a talk show host Fleck admires; Zazie Beetz as Fleck’s neighbour and love interest, Sophie Dumond; Frances Conroy plays Fleck’s mother, Penny; and Brett Cullen plays a Thomas Wayne who is more ruthless businessman than the philanthropic version we’re used to.

Todd Phillips's Joker doesn't reach the lofty heights it's reaching for

As a character study, Joker focuses on the circumstances that eventually lead to Fleck’s utter and violent breakdown. This is a character suffering from mental illness, who comes from a broken and abusive home trying to survive from day to day in a city whose institutions fail to help him. 

Mental illness and economic inequality 


This is something we see in our own societies, where funding meant to assist people who need it never seems to actually make it to the institutions responsible for this assistance. Meanwhile, you have people like Thomas Wayne sitting in their mansions and judging the people on the ground as being clowns who are too lazy to do anything with their lives. 

Fleck is also misunderstood at work, adding to his difficulties to deal with his reality.

When he finally has a nervous breakdown, a wave of violence ensues and this is where people are divided on what to think of the film.

Todd Phillips's Joker doesn't reach the lofty heights it's reaching for

Are we to sympathise with this character? Is the film a warning to us of what happens when we ignore the troubles of those around us? Does the film encourage violence in a time where mass shootings in the United States have become a fairly regular occurrence? It’s all up for discussion.

Joker is a film that tries to take us deep into the troubled mind of someone alienated by society, and explores the catastrophic results of that alienation. The film succeeds in many ways to do this but a lot of it also just feels flimsy, like the whole premise is built on a house of cards. 

Especially when you look at all the characters around Fleck, most of them are having just as difficult a time as he is but they don’t go on any shooting sprees. His neighbour is a struggling single mother living in the same squalid apartment block he does. You could centre a whole film around her. The film also doesn’t actually do much work exploring Fleck’s mental illness. 

Todd Phillips's Joker doesn't reach the lofty heights it's reaching for

An incomplete character study


He bursts out laughing at inappropriate times and has delusions, but we aren’t given any deeper explanation than that. In the end, I’d say that the film gives us an incomplete character study compared to let’s say a great example like Walter White from Breaking Bad but that’s an unfair comparison, perhaps.

Joker is less of a tour de force and more of tragic caricature
Joker is less of a tour de force and more of tragic caricature
I am as big a champion of the villain's story being told as you could hope to find. My academic research and vast collection of Evil Queen memorabilia can attest to this...
BY NATALIE LE CLUE 10 OCT 2019

A better comparison is to the other portrayals of the character in cinema over the years, especially to Jared Leto’s take on the character in Suicide Squad and Heath Ledger’s take in The Dark Knight. I still find it difficult to make a comparison because all the other portrayals are very much comic book villains with the usual outlandish evil plans. 



Jared Leto’s Joker is silly at best and Heath Ledger’s version makes for a better comparison. The Heath Ledger version has the advantage of being able to stay shrouded in mystery and that being the whole point. He’s a force of chaos and we don’t know where he got those scars, but that’s what makes him scarier. He’s also not the focal point and responsible for carrying the whole film so it’s easier to praise him as the better Joker.

My verdict is that the film has a lot going for it, and it’s worth the trip to the cinema. The cinematography is a thing of beauty and the acting brilliant (with some over-the-top moments from Phoenix) but the movie doesn’t reach the lofty heights it’s reaching for.

Monday, 21 October 2019

Occasional Letters to Death #3 / Letters to God #8 / Chill Sessions with Joy #1

"Fool," said my Muse to me, "look in thy heart, and write."
- Sir Philip Sidney

Hello,

Death, God, Joy,

Remember me? It's been a while since I wrote to you last. I apologise. Life happened. I should be thankful for Life, I guess.

Death, you've been sticking quite close to me these last years. I won't even front, your call has been very enticing and I'm hoping to find a way to stave you off a while by writing these letters. I'm trying for that Drake More Life kind of thing.

God, how are you? I sure have strayed far from the flock. I've been busy being woke. So, no time to talk when I don't even know if I believe. The prodigal son returns it would seem.

Joy, I've been very far from you, indeed. You think it would be okay if we talk every now and then?

"Loving in truth, and fain in verse my love to show"

I'm 32 now! I've has some success and just a whole lot of failure. I got married. In that time I've caused my wife more tears than laughter.  I miss laughter. I became part of a team writing children's books. That fell apart. I joined a team working on some EduTech software. That relationship fell apart. Life's been hard but I really want to change that for the better. So, I'm thinking that I need to sit down and put my thoughts to paper, make that commitment.

I want to fall in love with Life. I'm hoping that turning to verse or, rather, turning to the written word in general, I can explore that love in fall deeper into it in the process. I'm 32 now and can feel that this living in the light of past mistakes isn't working out for me. I need to do better and to be better.

I've picked up my pen again and hope that these sessions with all of you result in me being a better person.

Let's talk again, right? This is good, right?

Charles

Monday, 6 May 2019

Will we ever witness a superhero spectacle as grand as Avengers: Endgame?

My original article here.
6 May 2019
Last year, at pretty much exactly this time I sat down and wrote about how Avengers: Infinity War lives up to the 10 years and 18 Marvel Cinematic Universe (MCU) movies worth of hype. And here I am doing it again for the spectacle that is Avengers: End Game.
Avengers: Infinity War lives up to high expectations
Avengers: Infinity War lives up to high expectations
Ten years, 18 movies, a lot of hype and finally Avengers: Infinity War arrives. The question is, does the movie deliver?
BY CHARLES SIBOTO 2 MAY 2018

I say spectacle because this is what directors, Anthony and Joe Russo, have given us. They’ve made a film that surpasses ridiculously high expectations and services, now, 21 preceding MCU films with an insane amount of love and detail. This is by no means a perfect film in the sense that when YouTubers pick it apart and agonise over every detail that everything makes sense. We live in a time in which everyone’s a screenwriter and knows better than the people paid to do so – no film or series can meet those expectations.

Will we ever witness a superhero spectacle as grand as Avengers: Endgame?

This past weekend was huge for the geeky fandom. Avengers: Endgame was released to huge hype and the third episode of the last season of Game of Thrones promised us the biggest and longest night battle sequence since the battle of Helm’s Deep in The Lord of the Rings: The Two Towers. Social media was buzzing (and still is) with memes, spoilers and on Monday morning perhaps a sense of disappointment. I think both Endgame and Game of Thrones delivered and that emptiness that we now feel is that we won’t see such spectacle for a long time. Both Thanos and the Night King represent such a huge scale of threat and villainy that we just honestly don’t know where to go after this.

Will we ever witness a superhero spectacle as grand as Avengers: Endgame?

Picking up where we left off


I digress, though, we’re here for me to tell you about Endgame. I thought that after Avengers: Infinity War that all this movie could hope for is to be as good as that but, no, it goes and far surpasses that movie! The 181 minutes of runtime means that the movie pays attention to all the characters and give them all a bit of the spotlight. This also means that the movie can hit different thematic beats in its story. The movie opens with the remaining Avengers and the rest of the world recovering from and dealing with the repercussions of that finger snap from the last film that resulted in half of all life in the universe being wiped out. Everyone’s grieving and we spend time with the surviving characters, all of whom have lost people. The Avengers are not used to losing and Thanos has soundly defeated them so they’re at their lowest.

Avengers: Endgame is emotive and impactful
Avengers: Endgame is emotive and impactful
Avengers: Endgame has ensured that a 10-year journey has come to an end with a film so emotive and impactful that it will be spoken about, in reverence, for some time to come...
BY NATALIE LE CLUE 30 APR 2019

All the characters deal with their grief in their own way. Hawkeye is back and pretty much on a criminal murder spree after his family gets dusted. Tony Stark is angry at Captain America for not being there when he needed him and for the rift created between the team after the events of Captain America: Civil War. The Cap is running a survivor’s support group where he helps people move on from their grief but admits that he can’t move on.

Will we ever witness a superhero spectacle as grand as Avengers: Endgame?

Natasha tries to hold the rest of the Avengers team together because they’re the only family she has. Thor is in a state of self-loathing because he should have gone for the head. Everyone’s pretty much not having a great time. This part of the story also reveals a flaw in Thanos’ plan. He erased half of life in the universe but the remaining half hasn’t forgotten and instead of moving on people are stuck in their grief and the world goes through somewhat of an apocalypse because, well, half of the universe’s workforce is just gone.

Fan service and Easter eggs abound (*Spoiler alert*)


You can’t keep the Avengers down for too long, though, and the movie kicks it up a gear when Ant-Man escapes from the quantum realm and puts time travel on the table for the team. They come up with a plan they refer to as a time heist and go off to try and get back everything they lost. The time heist allows for many, many callbacks through the MCU’s past movies. This part is pure fan service and just a treasure trove of Easter eggs. The references to the MCU are just brilliant and the nods to other time travel movies make for a lot of laughs.

Will we ever witness a superhero spectacle as grand as Avengers: Endgame?

This part of the film is Marvel showing off their amazing ability to use humour whilst still making you feel like everything you love will be lost. It’s quite magical. The time heist itself is wibbly wobbly timey wimey and probably doesn’t make sense if you overthink it. Things obviously go wrong when you mess with time and the action kicks in on an epic scale from here on. It would be too much of a spoiler to tell you how huge everything becomes from here! Again, all I can say is that it’s a spectacle of astounding proportions! Thanos is still very much the main threat and he is still as menacing as ever.



Marvel has crafted a masterpiece with Endgame and I think whatever they do from here on out, it will remain as a highlight that will not be overshadowed anytime soon. You don’t need to have watched all the 21 preceding movies to enjoy this movie, but it sure as hell makes your experience so much better if you did. The MCU has taken what for the longest time could only be successfully done on the pages of comic books, showing off the sheer spectacle of a huge space villain like Thanos, that Mad Titan hell-bent on destroying half the universe on a massive scale. You don’t even understand, this movie is me reading Grant Morrison’s epic comic book, Final Crisis (DC, I know) and wondering how a comic book can be so massive in scale and emotion. Watching Endgame is like that and as the credits roll up you wonder if you’ll ever feel this way again.

Wednesday, 16 January 2019

#BizTrends2019: 2019 at the movies

My original article here.

15 Jan 2019



Let's take a look at what 2019 has in store in the movies, shall we?


In tribute to the creator of worlds


On 13 November 2018, we lost the great Stan Lee, the man who gave us iconic comic book characters like Spider-Man, Iron Man, the Fantastic Four, and Black Panther. In tribute to this storytelling icon, we’re going to kick off our 2019 at the movies with all the comic book goodness in store for us.

“Unbreakable, what, you thought they'd call me Mr. Glass?” Are we allowed to still quote Kanye West? Anyway, we kick things off with M. Night Shyamalan’s Glass. The sequel to Unbreakable (2000) and Split (2016), making up the third part of the Unbreakable series. Bruce Willis returns as the superhero David Dunn and James McAvoy in the persona of The Beast and his other split personalities. Samuel L Jackson’s Mr. Glass serves as the villain that orchestrates events. Glass hits cinemas on 18 January.



Avengers: Infinity War left many cinemagoers traumatised by Thanos’s finger snap and we need to know how the good guys will make a comeback in the sequel. From the end credits scene, we do know that Captain Marvel is going to play a part in saving the day. So while we wait for the second part of Infinity War we can get ourselves clued up on Carol Danvers’s backstory in Captain Marvel on 8 March. Then bounce right over to DC’s Captain Marvel, who can’t be called by that name, Shazam. On 5 April, we get Shazam! The comic book movie we never really asked for. But here we are and at least it means we’ll see The Rock play Black Adam’s character somewhere down the line. The Hellboy series gets a more welcome revamp with David Harbour (Stranger Things) as the Big Red Demon. The film’s coming out guns blazing with an R-rating on 12 April. We get the Infinity War sequel, Avengers: End Game, on 27 April. You know, the story we’re really looking forward to.



Ah, the X-Men film series, where I have only the vaguest idea of what the timeline is. The 12th film in the series, Dark Phoenix comes out on 7 June with Sophie Turner (Game of Thrones) reprising her role as Jean Grey and unleashing the iconic Phoenix character. Apparently, our favourite neighbourhood Spider-Man survives that whole Infinity War messbut he’s going to make it home late for supper and poor Aunt May’s worried. Spider-Man: Far From Home comes out in theatres on 5 July. The rest of the year gives us New Mutants on 2 August and Joker on 4 October.



“Go then, there are other worlds than these . . .”


It’s always okay to quote Stephen King. There’s more to the world than just comic book movies, so let’s look into that.

Remember that amazing 2011 French film, The Intouchables? It’s a pretty great film, right? Well, now you get to see it in American as The Upside, starring Bryan Cranston and Kevin Hart on 11 January. Who understands French anyway? The Lego Movie gets a sequel on 8 February and How to Train Your Dragon 3: The Hidden World gets a 22 February release.



Jordan Peele brings us another horror film on 15 March titled, well, Us. Plot details are still pretty hush-hush for now and the film stars Lupita Nyong'o, Winston Duke, Elisabeth Moss, and Tim Heidecker. Tim Burton has not just been sitting around twiddling his thumbs either and 29 March sees his take on Dumbo. The film stars Colin Farrell, Michael Keaton, Danny DeVito, and Eva Green.



As I said, you can never go wrong with Stephen King and Hollywood agrees. We get two movies based on his books in the form of Pet Sematary on 5 April and It Chapter Two on 6 September. Another movie that we didn’t know we want but it turns out we really do is Pokémon: Detective Pikachu! I can’t even front, you guys, I’m in. I’ll be there on 10 May to watch Pikachu solve things.



John Wick is not done killing his way through hordes of bad guys in John Wick 3: Parabellum on 17 May. Disney is still on a roll and Aladdin gets the live action treatment on 24 May; Will Smith gets the role of Genie. A living legend, Sir Elton John gets a biographical musical film based on his life in the form of Rocketman on 31 May, the same day we have Godzilla trampling a city or two in Godzilla: King of Monsters. You still have a friend in Toy Story in its fourth installment on 21 June.



The second half of the year brings highlights such as The Lion King in its CGI format, Artemis Fowl and Frozen 2. We also get a Quentin Tarantino picture titled, Once Upon a Time in Hollywood on 26 July with the Manson Family murders of 1969 serving as a backdrop. The film stars names like Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino, and Dakota Fanning. We get a Star Wars Christmas again this year with Episode IX on 20 December. JJ Abrams is back in the director’s chair in the closing chapter of the new trilogy.



That's that from me. Here’s to a great 2019 at the movies. Excelsior!