Will we ever witness a superhero spectacle as grand as Avengers: Endgame?

My original article here.

6 May 2019

Last year, at pretty much exactly this time I sat down and wrote about how Avengers: Infinity War lives up to the 10 years and 18 Marvel Cinematic Universe (MCU) movies worth of hype. And here I am doing it again for the spectacle that is Avengers: End Game.

Avengers: Infinity War lives up to high expectations

Ten years, 18 movies, a lot of hype and finally Avengers: Infinity War arrives. The question is, does the movie deliver?

BY CHARLES SIBOTO 2 MAY 2018

I say spectacle because this is what directors, Anthony and Joe Russo, have given us. They’ve made a film that surpasses ridiculously high expectations and services, now, 21 preceding MCU films with an insane amount of love and detail. This is by no means a perfect film in the sense that when YouTubers pick it apart and agonise over every detail that everything makes sense. We live in a time in which everyone’s a screenwriter and knows better than the people paid to do so – no film or series can meet those expectations.


This past weekend was huge for the geeky fandom. Avengers: Endgame was released to huge hype and the third episode of the last season of Game of Thrones promised us the biggest and longest night battle sequence since the battle of Helm’s Deep in The Lord of the Rings: The Two Towers. Social media was buzzing (and still is) with memes, spoilers and on Monday morning perhaps a sense of disappointment. I think both Endgame and Game of Thrones delivered and that emptiness that we now feel is that we won’t see such spectacle for a long time. Both Thanos and the Night King represent such a huge scale of threat and villainy that we just honestly don’t know where to go after this.

Picking up where we left off

I digress, though, we’re here for me to tell you about Endgame. I thought that after Avengers: Infinity War that all this movie could hope for is to be as good as that but, no, it goes and far surpasses that movie! The 181 minutes of runtime means that the movie pays attention to all the characters and give them all a bit of the spotlight. This also means that the movie can hit different thematic beats in its story. The movie opens with the remaining Avengers and the rest of the world recovering from and dealing with the repercussions of that finger snap from the last film that resulted in half of all life in the universe being wiped out. Everyone’s grieving and we spend time with the surviving characters, all of whom have lost people. The Avengers are not used to losing and Thanos has soundly defeated them so they’re at their lowest.

Avengers: Endgame is emotive and impactful

Avengers: Endgame has ensured that a 10-year journey has come to an end with a film so emotive and impactful that it will be spoken about, in reverence, for some time to come...

BY NATALIE LE CLUE 30 APR 2019

All the characters deal with their grief in their own way. Hawkeye is back and pretty much on a criminal murder spree after his family gets dusted. Tony Stark is angry at Captain America for not being there when he needed him and for the rift created between the team after the events of Captain America: Civil War. The Cap is running a survivor’s support group where he helps people move on from their grief but admits that he can’t move on.


Natasha tries to hold the rest of the Avengers team together because they’re the only family she has. Thor is in a state of self-loathing because he should have gone for the head. Everyone’s pretty much not having a great time. This part of the story also reveals a flaw in Thanos’ plan. He erased half of life in the universe but the remaining half hasn’t forgotten and instead of moving on people are stuck in their grief and the world goes through somewhat of an apocalypse because, well, half of the universe’s workforce is just gone.

Fan service and Easter eggs abound (*Spoiler alert*)

You can’t keep the Avengers down for too long, though, and the movie kicks it up a gear when Ant-Man escapes from the quantum realm and puts time travel on the table for the team. They come up with a plan they refer to as a time heist and go off to try and get back everything they lost. The time heist allows for many, many callbacks through the MCU’s past movies. This part is pure fan service and just a treasure trove of Easter eggs. The references to the MCU are just brilliant and the nods to other time travel movies make for a lot of laughs.

This part of the film is Marvel showing off their amazing ability to use humour whilst still making you feel like everything you love will be lost. It’s quite magical. The time heist itself is wibbly wobbly timey wimey and probably doesn’t make sense if you overthink it. Things obviously go wrong when you mess with time and the action kicks in on an epic scale from here on. It would be too much of a spoiler to tell you how huge everything becomes from here! Again, all I can say is that it’s a spectacle of astounding proportions! Thanos is still very much the main threat and he is still as menacing as ever.



Marvel has crafted a masterpiece with Endgame and I think whatever they do from here on out, it will remain as a highlight that will not be overshadowed anytime soon. You don’t need to have watched all the 21 preceding movies to enjoy this movie, but it sure as hell makes your experience so much better if you did. The MCU has taken what for the longest time could only be successfully done on the pages of comic books, showing off the sheer spectacle of a huge space villain like Thanos, that Mad Titan hell-bent on destroying half the universe on a massive scale. You don’t even understand, this movie is me reading Grant Morrison’s epic comic book, Final Crisis (DC, I know) and wondering how a comic book can be so massive in scale and emotion. Watching Endgame is like that and as the credits roll up you wonder if you’ll ever feel this way again.

Letters to God #7: The Lord's Prayer

Pieces of Letters to God

Our Father, which art in heaven

Good day Big Guy in the sky :).

Hallowed by thy Name.

Thy kingdom come.

Well then, here we are and it's good to be here - to be so near You. I like looking up at the blue sky and know that Thou art there. Get it? You're up there making beautiful art. I read that we've managed to create multiverses in a lab the other day. This is probably old news to You, what with having created multiverses from the get go - Big Bang and all that. I imagine that You're proud though, Your creatures take after You. We live to create, or as Professor Tolkien more aptly put it, sub-create. If You've kept up with the news You know it's all doom and gloom down here - all rape and murder. That's what we do when we're not sub-creating. People are saying it's the end of days. I say it's the gentle and kind invasion of Your kingdom. It's like the bit in Final Crisis where non-existence invades existence - only it's gentle and kind. We're not being gentle and kind about it though. We're quite brutal in reaction to gentle and kind things. Do me a huge favour, would Ya? Carry Anene, Reeva and every single human being (everyone who was a potential generator of goodness beyond measure) who tragically passed away lately gently into your bosom. Send the Lady on the Grey to bear them away on her steed:

'He is gentle enough to bear the mightiest of you away on his broad back, and strong enough for the smallest of you' - Neil Gaiman.

Also, please forgive the folk who took their lives, even... Or rather, especially when we can't.

Thy will be done in earth,

As it is in heaven

This is the bit about Your will and our free will that I don't understand so well. I get the end bit where evil will find that it has been serving You all along. What I don't get is what's happening in between - it gets murky there. Our will is pretty much reigning in the earth sphere right now. I'm not too sure what how the governance is top-side but down here it's Jacob Zuma.

Give us this day our daily bread.

And forgives us our trespasses,

As we forgive those who trespass against us.

And lead us not into temptation,

But deliver us from evil.

Padre Nostro

Padre nostro che sei nei cieli,
sia santificato il tuo Nome,
venga il tuo Regno,
sia fatta la tua Volontà
come in cielo così in terra.
Dacci oggi il nostro pane quotidiano,
e rimetti a noi i nostri debiti
come noi li rimettiamo ai nostri debitori,
e non ci indurre in tentazione,
ma liberaci dal Male.

At this point the whole world needs a hug. I'm not sure about the rest of the multiverse but give them a hug too. There's a lot of pain and suffering doing the rounds. People are in great need of daily bread, daily hugs and just good ol' fashioned daily love. Hook us up, ol' G. We need a whole new level of strongs for the forgiving some trespasses bit. Folks is nasty out there lately and John Legend's approach seems to be the most attractive: "Now I’m not afraid to do the Lord's work, You say vengeance is his but I'm'ma do it first." It's a bit of a steep learning curve as You can see. I can't speak for the rest of humanity on this one but I need my trespasses forgiven. At the rate I'm going I'm a burglar! Temptation is pretty much everywhere and hard to avoid. You've seen the second The Lord of the Rings movie, right? There's the scene where Gollum's leading Frodo and Sam through the Dead Marshes and tells them not to look at the dead faces in the water. That's pretty much the first thing Frodo does! They aren't even cute hobbit girls in revealing dresses, just creepy, dead faces and Frodo's tempted to look. Temptation is rough. Deliverance from evil is straight up necessary though, hey. We need every form of escape we can get from evil's gaping maw.

That's it for now, Big Guy. Later times.

For thine is the kingdom,

The power, and the glory,

For ever and ever

Amen.

My Magical Place: The Hobbit: An Unexpected Journey

'In a hole in the ground there lived a hobbit.'

Thus one of the greatest children's books introduced our little furry footed friends to the world and all were amazed and the world has never gotten over hobbits since.

Peter Jackson takes us back to his beautiful rendition of Middle-earth that we all fell in love with in The Lord of the Rings and from the opening scene it feels like we've never left. I'm thoroughly impressed by Peter Jackson, Fran Walsh, Philippa Boyens and Guillermo del Toro's story-telling ability; they manage to expertly navigate the line between being true to the source material (thus pleasing us rabid fans) and recreating the story where it is necessary. Jackson and his brilliant team set the bar quite high with The Lord of the Rings and I was afraid that The Hobbit would not live up to that standard - the book, after all, is a written for children and is much less epic in scale. The fact that Guillermo del Toro (Pan's Labyrinth) was involved didn't make me any more comfortable. I like Mr del Toro but his imagination is a bit too dark and twisted for Middle-earth.

I'm glad to report that my fears were unfounded and that The Hobbit: An Unexpected Journey lives up to Jackson's legacy and that the story is brilliantly told and the visuals are amazing. I'm not convinced by 3D technology yet and the 48 frames per second (over the standard 24) that the movie is filmed in didn't change much for me. Be warned that some people in the audience complained about headaches and dizziness. Bear that in mind when you go see the movie. Initially the movie was meant to be released in two parts but it's been decided on a trilogy now with The Desolation of Smaug and There and Back Again being released in 2013 and 2014 respectively. It's a cash-in scheme for all intents and purposes but if the quality's as good as the first offering fans won't mind forking out the cash for more Middle-earth goodness.

Sir Ian McKellan reprised his role as Gandalf and delivers yet another great performance as the wizard, if not better and more subtle. Also returning to their roles are Hugo Weaving as Elrond, the never ageing Cate Blanchett as Galdriel, Christopher Lee as Saruman and Elijah Wood and Ian Holm in cameo roles as Frodo and Bilbo respectively. Martin Freeman (Sherlock) plays the role of young Bilbo Baggins with nothing but charm; he brings the character to life. A very good looking Thorin Oakenshield (Richard Armitage) and his company of dwarves are very endearing and amusing. One can't help but love them. It's high time the dwarves get the spotlight. Andy Serkis deserves a special mention in delivering another haunting and, dare I say, heartbreaking performance as Gollum. I am especially glad about the inclusion and expansion of the character of the wizard, Radagast the Brown (Sylvester McCoy). His absence in Lord of the Rings was understandable but it was still a loss. My inner fan boy is rejoicing.

If you're a fan of The Lord of the Rings or just want to see good fantasy movie The Hobbit: An Unexpected Journey should be at the top of your list of December movies. Expect a hobbit, adventure, raucous dwarves, trolls, orcs, goblins, wolves, stone giants (uber cool, these), a hint at a dragon and just all-round magic. Some people felt the movie was too long but I felt it was too short. The wait till the next instalment is what is too long.

The Nerds Have Taken Over

‘Be nice to nerds. Chances are you’ll end up working for one.’
- Bill Gates

Not that long ago, in a galaxy known as the Milky Way, on a planet called Earth by its inhabitants, I read the words ‘Save A Non-Geek Today’ in a computer magazine’s Editor’s note and was amused by the seemingly farfetched concept. Little did I know that those words foretold of the tech revolution that has silently swept over the world and converted the masses into geeks without them even realising it.

A short decade ago people who spent hours playing video games, reading fantasy, sci-fi and comic books were thought to be weird and had chairs thrown at them wherever they went by their intellectually inferior peers. These people went under ‘derogatory’ labels such as nerd and geek and were generally frowned upon for their silliness and were told that they should grow up.

What people don’t know, though, is that you can’t keep a nerd down for long because he will go back to his secret lair (because we all have one of those) and hatch a plan, so cunning you could pin a tail on it and call it a weasel, to take over the world! Which is exactly what happened, the nerds took over the Hollywood machine and with it the world. The message being sent out to the masses was (and I guess still is), ‘Don’t fuck with us! We know how to build guns that shoot lasers.’

There was a time when you had only a handful of television shows and movies to pick from if you had a craving for super heroes, space or medieval settings, especially if you were an adult and wanted something fantastic yet mature. Movie studios were reluctant to touch such material because they feared that they couldn’t sell it to a wide enough audience. Steven Erikson, Canadian writer of the Malazan Book of the Fallen series of fantasy novels, spent nearly a decade trying to sell his script for Gardens of the Moon and nobody wanted it because it was too ambitious! He’d walk out of studio meetings with his friend, and co-writer, Ian C. Esslemont with words such as: ‘Try something . . . simpler. Something like everything else out there. Something less . . . ambitious.’ Studios didn’t want to invest in material that audiences might find to be too complicated, which makes sense to a large extent but in the process they were grossly underestimating the intellectual capacity of audiences. People wanted something that would challenge them, hence the success of ventures such as The Matrix. People wanted to go to the cinema and be sold a fantastic story that is intelligent enough to actually buy into. People wanted, as Erikson puts it, ‘sophisticated shit’.

This, my furry friends, is where we are at, the space-age of television, cinema and literature in general. Admittedly it’s not the high-tech world envisioned by great minds like Isaac Asimov, in which the human race has conquered the stars, but strides have been made. The nerds are in charge of a large slice of the Hollywood pie and, like the gay community, we (me not so much actually, which is an outright travesty!) have the buying power to sustain that hold. Since the release of movies like The Lord of the Rings, Watchmen, V for Vendetta, 300, Sin City and others beside sci-fi and fantasy have had a ubiquitous presence in the box-office. This year has been great! Seeing releases like Thor, Priest and the fourth Pirates of the Caribbean and there are still upcoming titles like The Green Lantern and Captain America.

The masses love these movies and don’t even notice that they’re buying into the worlds of the kids they made fun of in school. Nerds have taken over almost every aspect of people’s lives. Just take a look around you at the wide-eyed uninitiated masses toting laptops, Blackberries, PSPs, DSs and hanging out on Facebook and Twitter – slavish devotees of the wonder that is technology with the nerds at the head of the revolution.

Heaven's Magic Machine

This is the magical scene that will play out in Heaven as I awake from death, as though it were a dream:

‘“Well, Master Samwise, how do you feel?’ [Gandalf] said.
But Sam lay back, and stared with open mouth, and for a moment, between bewilderment and great joy, he could not answer. At last he gasped: “Gandalf! I thought you were dead! But then I thought I was dead myself. Is everything sad going to come untrue? What’s happened to the world?”

“A great Shadow has departed,” said Gandalf, and then he laughed, and the sound was like music, or like water in a parched land; and as he listened the thought came to Sam that he had not heard laughter, the pure sound of merriment, for days upon days without count. It fell upon his ears like the echo of all the joys he had ever known. But he himself burst into tears. Then, as a sweet rain will pass down a wind of spring and the sun will shine out the clearer, his tears ceased, and his laughter welled up, and laughing he sprang from his bed.’
- J.R.R. Tolkien, The Return of the King

I’m sitting here pretending to be marking first year English assignments but because I suffer from ADD (or whatever they call it these days) I can’t pay attention to another string of words that make no sense to anyone in the universe or any of the infinite ones parallel to ours – not even the person who wrote them. Unlike J.R.R. Tolkien my mind does not conjure up hobbits when faced with the deadly dull task of marking, mine wanders to random things instead, like whether or not there will be magic in Heaven. The Silmarillion and The Lord of the Rings have me convinced that there will be tonnes of it.

What sort of magic will it be though?

To use Terry Goodkind’s terms, will it be additive or subtractive? Will it be the sort of magic worked not by our souls but worked on our souls as Peter Kreeft puts it? Will it be the charming magic of animated Disney movies that sees dishes washing themselves and beautiful Princesses aroused from eternal slumber by true love’s kiss? I’m secretly hoping for dragons and centaurs. I’d love to have tea with a majestic dragon, assuming dragons care for tea that is. Imagine how big a dragon’s tea cup must be!

I went to see Thor some time back and if Heaven’s anything like Branagh’s vision of Asgard I’d be quite chuffed; all the best parts of a fantasy medieval setting merged with futuristic technology that has no side effects like pollution. It would have to be bigger than Asgard though, so as to accommodate my dragons. I’m a big fan of flashy and destructive sorcery I must say: Wizard’s fire, the fiery tempests in Dragon Age, crazy chain lightning and such. I doubt there’s place for destructive magic in Heaven though, especially since I’m referring to post-apocalyptic Heaven, when Satan and all his crazy minions have been smote down by Heaven’s awesome Secret Fire-wielding host and the Flame Imperishable has been sent to burn at the centre of the universe(s) forever and ever. Amen.

I should expect a behind-the-scenes sort of magic then I guess, only a little more overt than can be glimpsed in Nature. God is a big fan of espionage after all, what with Him always working His magic from the least likely of places and in a most covert manner. Take for an example in The Lord of the Rings He doesn’t make so much as a peeping sound but in which His presence makes all the difference.

Heaven’s magic is, no doubt, rooted in beauty – the lofty beauty of an Elvish Princess like Lúthien that captures the hearts of admirers the world over but can only be won by the most noble of beings, and yet it is a beauty as humble and accessible as a Samwise Gamgee of the Shire. Beauty alone is not enough though, for it to be truly magical it must be accompanied by truth, wisdom and all that good stuff.

Arcane arts like necromancy are out of the picture then; zombies, as cool as they may seem, are only a mockery of real life after all. Such arts are of a lower type of magic, not that of creation (or sub-creation).

I would venture to say that the purpose of magic is not to be seen but to be experienced. Real magic feeds a deep human need for wonder. It speaks to us as though we are children exploring the world and looking at everything in it with awe. Scientists experience the universe’s magic as they set out to unravel its mysteries and theists (the real ones) encounter this magic in their unshakable faith.

In the Middle-Ages it was said that God wrote two books, the Bible and Nature. The world in which we live is a magic making machine and many of us don’t even notice it. Nature is God speaking to us of love, beauty, perfection, imperfection, death and many other such lessons beside. The universe, as such, is a picture of what the magic of Heaven will be like, the sort of magic whose presence is never noted but whose absence is immediately apparent.